Summer Dennis is choosing herself. On “Burning Bridges,” her latest single released Sept. 25, the singer transforms the lessons of leaving unhealthy relationships into a declaration of self-preservation.
The song reflects a personal shift that has taken years to embrace. Dennis grew up surrounded by church and competitive gymnastics, two worlds that taught her discipline and control. As she entered adulthood, however, that control often meant taking responsibility for problems that were never hers.
Therapy, solo travel and gardening helped Dennis redirect that energy. She began establishing boundaries in her personal life and career.
“I know what’s good for myself now, and I don’t have any reason to compromise that,” she says.
That clarity shaped “Burning Bridges.” Dennis wanted the record to capture her emotions without filtering them for anyone else. She also pushed herself vocally, experimenting with choices outside her comfort zone.
The recording process brought another realization. After feeling overwhelmed during a crowded writing session, Dennis found greater freedom working privately with her favorite engineer. The experience reinforced her preference for intimate creative spaces and trusted collaborators.
Singer Summer Dennis Set To Release New Single “Burning Bridges”
Dennis’ competitive past remains part of her musical evolution. As an NCAA gymnast, she felt pressure to prove her abilities, a burden she says was heightened by racism within the sport.
That mentality followed her into music. Recognition once felt like a measure of whether she was succeeding. Now, Dennis is more interested in making music that feels authentic.
“I am trying to treat it less like a contest,” she says. “So now I’m just more focused on writing the songs I want to hear.”
Performance remains equally important. Dennis grew up singing with her church praise team and still searches for that communal energy onstage. Her influences range from Mary J. Blige, Alicia Keys and Ashanti to DMX and Remy Ma.
In New York, Dennis has found audiences receptive to her sound and perspective. She hopes her music reaches women, Black listeners and queer communities whose experiences are often overlooked.
“Burning Bridges” marks the beginning of that conversation.
“This song is more for the healing girlies that want to quietly reflect in peace, as I am doing now,” she says. “We will rage later.”
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