Big30 & Pooh Shiesty’s Father Enter Not Guilty Plea in Gucci Mane Kidnapping Case

Pooh Shiesty’s release from prison last October briefly reset expectations around one of Memphis rap’s most closely watched careers. Before his incarceration, he had built momentum as a breakout voice, and that interest returned quickly when he dropped “FDO,” a track that has since surpassed 61 million views on YouTube. The response suggested a fan base still paying close attention, even as legal questions began to re-emerge.

By spring, however, the conversation had shifted sharply. What had circulated as rumor in earlier months was formalized in April, when federal prosecutors filed charges tied to an alleged incident involving Gucci Mane at a Dallas recording studio. The indictment named Pooh Shiesty, his father, Big30, and six other defendants, including Kedarius Waters, Terrance Rodgers, Damarian Gipson, Demarcus Glover, Kordae Johnson, and Darrion McDaniel. The case has since moved forward with all nine individuals facing charges connected to the same alleged episode.

The dispute has also surfaced in music, with Gucci Mane referencing the situation on his track “Crash Dummy.” Meanwhile, reporting from Action News 5 in Memphis confirmed that Big30 and Lontrell Williams have entered not-guilty pleas. That development aligned with expectations from legal observers, given the early stage of proceedings and the absence of a trial date.

Rap Community Rallies as Case Spotlights Gucci Mane’s Atlanta Influence

Both Pooh Shiesty and Big30 remain in custody as they continue to seek bond, a process that has drawn attention beyond the courtroom. Support has emerged from parts of the hip-hop community, including public calls from artists such as MoneyBagg Yo and Asian Doll for temporary release while the case moves forward.

More broadly, the proceedings have rippled through rap circles, in part because of Gucci Mane’s long-standing influence in Atlanta’s music scene. As the case develops, it continues to draw scrutiny not only for its legal stakes but also for the way it intersects with figures deeply embedded in contemporary hip-hop culture.