What began as relaxed banter on the Joe & Jada Podcast took a sharper turn when French Montana steered the conversation toward unresolved business from his past. Appearing alongside Max B to promote Coke Wave 3.5, French used the moment to revisit a lingering dispute tied to one of his biggest records. The pivot was calm but deliberate, shifting the mood from jokes to something more revealing. Fat Joe and Jadakiss, both longtime fixtures of New York rap, let the exchange breathe.
The tension surfaced when French brought up the publishing breakdown behind “All The Way Up,” the 2016 anthem that reshaped both artists’ commercial profiles. He suggested his share of the publishing royalties did not reflect the song’s success or his contribution. Joe seemed genuinely surprised, pausing as both men searched their memories for how the deal was structured at the time. Years later, the details proved slippery.
French maintained that the numbers never sat right with him, while Joe insisted the agreement had been fair within the norms of the industry. The disagreement never boiled over, but it revealed how financial arrangements can linger long after the applause fades. Neither artist reached for contracts or paperwork; instead, the debate rested on recollection and perspective. It was a familiar dynamic for artists who came up fast and learned business on the fly.
Laughs, Ledgers, and Lingering Tension Beneath the Punchlines
The moment stayed light, thanks in part to humor. “I had zero publishing on that song,” French said, half-joking as he made his point. When Joe countered that French received a 10 percent cut, French quickly responded, “No, it was 5.” The exchange drew laughter, even as it hinted at real frustration beneath the surface.
Jadakiss and Max B soon joined in, turning the conversation into an impromptu breakdown of music publishing math. Clips from the episode spread quickly online, sparking debate among fans over who was right—and plenty of jokes about the music industry’s notorious bookkeeping. What started as a routine promo stop ended as a public reminder that hit records can come with unfinished conversations.
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