YG is choosing not to revisit his 2016 protest anthem “FDT” with a follow-up track. He explained that the controversy surrounding the song has continued to create complications years after its release. The Compton rapper addressed the topic during a July 3 appearance on Big Boy’s Neighborhood. While there, he reflected on the attention the record has received. He also discussed the challenges that have come with performing it publicly. Furthermore, he acknowledged knowing people who have been “affected” by issues such as ICE raids and other political developments. However, he said he has little interest in reopening that conversation through music.
“A lot of people be asking me that like, ‘Bro, is you going to do part two?’” YG said. “I’m like, “Listen, man. I got a lot of street shit going on. I got a lot of other shit going on. I don’t want no smoke with them people.” The rapper explained that while fans continue to ask about another version of the song, he has moved his focus elsewhere.
During the interview, YG also discussed the fallout that followed “FDT,” including what he described as receiving a letter from the White House and facing restrictions at certain performances. He said, “I still be going through that.” For example, “When I’m doing certain shows they be like, ‘We want him but he can’t do ‘FDT.’’” The song’s political message has remained a recurring issue whenever he takes the stage.
YG Risked $60K Over “FDT” Performance
YG recalled one example from around 2017, when his team warned him that a college performance contract prohibited him from performing the track. His team said, “Yeah, bro just to let you know it’s in the contract you can’t do ‘Fuck Donald Trump’ if you do ‘Fuck Donald Trump’ they ain’t got to pay you.’” The performance took place at San Diego State University. There, YG performed the song despite the restriction. He reportedly risked a $60,000 agreement by doing so.
“Man, that motherfucker went off,” YG said, later confirming that the school paid him. He questioned the contradiction behind the situation. For instance, he added, “You gonna book YG, but then you going to say, ‘Yeah, you can’t do this though?’” The moment became another example of the tension artists often face. This tension is between creative expression and the limits placed on live performances.
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