Kendrick Lamar’s Super Bowl Halftime Show Sparks 125 FCC Complaints

NEW ORLEANS, LOUISIANA - FEBRUARY 09: Kendrick Lamar performs onstage during Apple Music Super Bowl LIX Halftime Show at Caesars Superdome on February 09, 2025 in New Orleans, Louisiana.
NEW ORLEANS, LOUISIANA – FEBRUARY 09: Kendrick Lamar performs onstage during Apple Music Super Bowl LIX Halftime Show at Caesars Superdome on February 09, 2025 in New Orleans, Louisiana. (Photo by Gregory Shamus/Getty Images)

The aftermath of Kendrick Lamar’s electrifying Super Bowl halftime performance has ignited a wave of discussions, particularly regarding the complaints filed with the Federal Communications Commission (FCC). The complaints, which have recently come to light, predominantly focus on perceptions of the show as “anti-American” and overly fixated on the artist Drake.

According to reports from TMZ, a total of 125 complaints were lodged, a modest number considering that the halftime show attracted an impressive audience of approximately 133.5 million viewers. While some viewers expressed concern over perceived profanity during the broadcast, it is noteworthy that Kendrick did not actually use any explicit language in his performance. Other grievances centered around the all-Black lineup of performers, with critics alleging that this choice fostered division.

Notably, a recurring theme among the complaints was the assertion that the performance was excessively centered on Drake. One particularly striking complaint claimed, “Kendrick Lamar made false and scandalous accusations about Drake being a pedophile, broadcast to millions. This is unacceptable; we expected better.”

Inside Kendrick’s Historic Super Bowl Halftime Show: Exclusive Footage and Iconic Moments

Amidst the controversy, the NFL has released a documentary that delves into the creation of the historic halftime show, now available for free on YouTube. This 32-minute film provides an in-depth look at how this record-breaking performance was orchestrated, featuring interviews with several members of the 500-person production team. It highlights the meticulous preparations, including Kendrick’s rehearsals and contingency plans for potential weather disruptions.

A fascinating element of the documentary is the quest to source and modify a rare 1987 Buick GNX, which served as a dramatic prop for the performance. Mike Carson, the creative director for pgLang, emphasizes the vehicle’s significance, stating, “The car symbolizes Kendrick’s era, as reflected on his album covers and in his music videos, making it an essential part of the show.” A behind-the-scenes clip showcasing Kendrick’s rehearsals with renowned actor Samuel L. Jackson also surfaced, featuring Jackson performing his scripted lines as “Uncle Sam.” This two-minute segment, labeled “Rehearsal Day 20” and dated February 5, just days before the performance, captures the atmosphere of preparation, with Kendrick practicing his much-discussed track “Not Like Us,” a song featuring sharp commentary aimed at Drake.

The rehearsal footage further includes lighthearted moments shared among Lamar, Jackson, and other collaborators, with guest appearances from prominent figures such as SZA, Mustard, and Serena Williams, who all joined Kendrick on stage during the New Orleans performance.


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